Our invisible storyteller!
Film editors have been described as “the invisible storytellers of cinema.”
The craft of editing extends far beyond mere snipping and splicing. In this intricate art form, every cut, transition, and fade can communicate a profound narrative impact. With editing, each frame is a pivotal storyteller, and every second unfolds a unique story.
We’re excited to announce our Editor will be Phyllis Housen. Phyllis has been a feature film editor for more than 30 years. Her impressive list of credits includes editor of Clemency, which won the Grand Jury Prize (Dramatic) at Sundance in 2019; editor of the audience award-winning Adam & Steve; assistant editor on Quentin Tarantino’s Kill Bill films (Volumes 1 and 2); and assistant editor of Beverly Hills Cop III. In addition to feature films, Phyllis also edits for TV and documentaries.
And, we want to give a shout-out to our friends at Mosaic Express in Washington, D.C. who provided pro-bono printing support for our team. Mark Sentner and his team are highly talented individuals and we appreciate your support!
